{"id":3024,"date":"2024-11-08T10:34:43","date_gmt":"2024-11-08T07:34:43","guid":{"rendered":"https:\/\/ethnolab.music.uoa.gr\/?p=3024"},"modified":"2024-11-09T16:00:58","modified_gmt":"2024-11-09T13:00:58","slug":"lecture-mehmet-ali-sanlikol-reading-ottoman-music-from-a-byzantine-fake-book","status":"publish","type":"post","link":"https:\/\/ethnolab.music.uoa.gr\/en\/lecture-mehmet-ali-sanlikol-reading-ottoman-music-from-a-byzantine-fake-book\/","title":{"rendered":"LECTURE | Mehmet Ali Sanl\u0131kol – Reading Ottoman Music from a Byzantine Fake Book"},"content":{"rendered":"

LECTURE<\/p>\n

Prof. Mehmet Ali Sanl\u0131kol
\nNew England Conservatory, USA<\/p>\n

Reading Ottoman Music from a Byzantine Fake Book: new perspectives on reform, notation and Ottoman\/Turkish music in early 19th century Istanbul<\/em><\/p>\n

Introductory talk by Father Romanos Karanos, Assistant Professor, Holy Cross Greek Orthodox School of Theology<\/p>\n

22 November 2024, 18.00 Athens GREECE \/ 11.00 EST (US)<\/p>\n

The lecture will be delivered on-line. For registration, please use the button below:<\/p>\n<\/div>

REGISTER<\/span><\/a><\/div>

Organisers<\/p>\n

Ethnomusicology and Cultural Anthropology Laboratory, Department of Music Studies, National and Kapodistrian University of Athens
\nLaboratory for the Study of Balkan and Eastern Music, History and Cultures, Department of Music Studies, Univeristy of Ioannina
\nDepartment of Music Studies, Aristotle University of Thessaloniki<\/p>\n

Organizing Committee<\/p>\n

Maria Alexandrou, Professor, Department of Music Studies, Aristotle University of Thessaloniki
\nKyriakos Kalaitzidis, Associate Professor, Department of Music Studies, University of Ioannina
\nPanagiotis C. Poulos, Assistant Professor, Department of Music Studies, National and Kapodistrian University of Athens<\/p>\n

ABSTRACT<\/strong><\/p>\n

Mehmet Ali Sanl\u0131kol published \u201cReform, Notation and Ottoman music in Early 19th Century Istanbul: EUTERPE\u201d\u00a0from Routledge\u2019s SOAS series in March of 2023. In this book Sanl\u0131kol presents both a critical edition of\u00a0Euterpe<\/em>, the first printed collection of Ottoman classical vocal music pieces in Byzantine notation, and a detailed study of\u00a0Ermineia<\/em>, thefirst source which explains Ottoman\/Turkish makams with microtonal values, as a result of which an extended analysis of all makams are included as well.<\/p>\n

During this presentation Sanl\u0131kol will not only provide his conclusions regarding\u00a0Euterpe<\/em>,\u00a0Ermineia\u00a0<\/em>and related similar publications, but he will also discuss the possible relationship between these publications and the banning of the\u00a0k\u00f6\u00e7ek<\/em>, evaluate the \u2018lead sheet\u2019 and \u2018fake book\u2019 formats widely utilized in jazz within the context of Ottoman\/Turkish music, compare the relationship between\u00a0vezin<\/em>\u00a0and\u00a0usul<\/em>\u00a0with jazz from several different perspectives, and present his thoughts on several other similar issues.<\/p>\n

\u00a0<\/strong><\/p>\n

SHORT BIOGRAPHICAL NOTE<\/strong><\/p>\n

Grammy nominated composer (2015 and 2024) Mehmet Ali Sanl\u0131kol graduated from Berklee College of Music with a dual degree in Jazz Composition and Film Scoring in 1997. Sanl\u0131kol completed his Master\u2019s degree in Jazz Composition at the New England Conservatory (NEC) in 2000 after which he got his doctorate from the same school in Composition in 2004. During his doctoral studies Sanl\u0131kol heavily focused on ethnomusicology and classical Ottoman\/Turkish music after which he also conducted post-doctoral research with Prof. Cemal Kafadar at the Center for Middle Eastern Studies at Harvard University as a fellow (2013-15). Currently, Sanl\u0131kol is a professor at the New England Conservatory and he has composed for, performed and toured with international stars and ensembles such as Dave Liebman, Bob Brookmeyer, Billy Cobham, Antonio Sanchez, Anat Cohen, Ingrid Jensen, Tiger Okoshi, Miguel Zen\u00f3n, John Patitucci,\u00a0Gil Goldstein,\u00a0Esperanza Spalding, The Boston Camerata, The Boston Cello Quartet, A Far Cry string orchestra, American Composers Orchestra, Okay Temiz, Erkan O\u011fur ve Birol Yayla.\u00a0Sanl\u0131kol is also the director of NEC\u2019s Intercultural Institute, the project director of Nil\u00fcfer Municipality Dr. H\u00fcseyin Parkan Sanl\u0131kol Musical Instruments Museum and the president of D\u00dcNYA, a non-profit organization based in Boston, MA.<\/p>\n<\/div>

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