{"id":2611,"date":"2023-11-20T19:12:31","date_gmt":"2023-11-20T16:12:31","guid":{"rendered":"https:\/\/ethnolab.music.uoa.gr\/eleni-kallimopoulou\/"},"modified":"2024-10-10T10:23:05","modified_gmt":"2024-10-10T07:23:05","slug":"eleni-kallimopoulou","status":"publish","type":"post","link":"https:\/\/ethnolab.music.uoa.gr\/en\/eleni-kallimopoulou\/","title":{"rendered":"Eleni Kallimopoulou"},"content":{"rendered":"<p>Eleni Kallimopoulou (MMus, PhD, SOAS, University of London) is assistant professor at the University of Macedonia. She is author of Paradosiak\u00e1: Music, Meaning and Identity in Modern Greece (Ashgate, 2009), co-author of Learning Culture through City Soundscapes \u2013 A Teacher Handbook (with P.C. Poulos and K. Kornetis, e-book, University of Macedonia, 2013), and co-editor of Counter-Archives: Rethinking Oral History from Below (with R.V. Boeschoten and V. Dalkavoukis, Greel Oral History Association, 2021), Music Communities in 21st-century Greece: Sonic Glances in the Field (with A. Theodosiou, Pedio, 2020), and Introduction to Ethnomusicology (with A. Balandina, Asini, 2014). She is a founding member of SonorCities, a research study group on the history and ethnography of sound and the senses, and a member of the International Advisory Board of Ethnomusicology Forum.<\/p>\n<p>Indicative publications<\/p>\n<p>Theodosiou, A. and E. Kallimopoulou, eds. 2020. Musical communities in 21st century Greece: ethnographic perspectives and audiences. Athens: Pedio.<\/p>\n<p>Theodosiou, A. and E. Kallimopoulou. 2020. Music workshops, participatory music tourism and transnational communities of practice. In Musical communities in 21st century Greece: ethnographic perspectives and audiences, edited by Aspasia Theodosiou and Eleni Kallimopoulou, 99-132. Athens: Pedio<\/p>\n<p>Kallimopoulou, E., \u03ba\u03b1\u03b9 K. Kornetis. 2017. \u2018Magical Liturgy\u2019: A History of Sound at the Kyttaro Music Club, 1970-1974. Journal of Modern Greek Studies 35(2): 481-512.<\/p>\n<p>Kallimopoulou, E. 2009. Paradosiaka: Music, Meaning and Identity in Modern Greece. Farnham: Ashgate<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Associate Professor<\/p>\n","protected":false},"author":1,"featured_media":2560,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[39],"tags":[],"class_list":["post-2611","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-faculty"],"acf":[],"_links":{"self":[{"href":"https:\/\/ethnolab.music.uoa.gr\/en\/wp-json\/wp\/v2\/posts\/2611","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ethnolab.music.uoa.gr\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ethnolab.music.uoa.gr\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ethnolab.music.uoa.gr\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ethnolab.music.uoa.gr\/en\/wp-json\/wp\/v2\/comments?post=2611"}],"version-history":[{"count":2,"href":"https:\/\/ethnolab.music.uoa.gr\/en\/wp-json\/wp\/v2\/posts\/2611\/revisions"}],"predecessor-version":[{"id":2991,"href":"https:\/\/ethnolab.music.uoa.gr\/en\/wp-json\/wp\/v2\/posts\/2611\/revisions\/2991"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ethnolab.music.uoa.gr\/en\/wp-json\/wp\/v2\/media\/2560"}],"wp:attachment":[{"href":"https:\/\/ethnolab.music.uoa.gr\/en\/wp-json\/wp\/v2\/media?parent=2611"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ethnolab.music.uoa.gr\/en\/wp-json\/wp\/v2\/categories?post=2611"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ethnolab.music.uoa.gr\/en\/wp-json\/wp\/v2\/tags?post=2611"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}