{"id":2609,"date":"2023-11-20T19:23:14","date_gmt":"2023-11-20T16:23:14","guid":{"rendered":"https:\/\/ethnolab.music.uoa.gr\/vasiliki-lalioti\/"},"modified":"2024-10-10T10:20:38","modified_gmt":"2024-10-10T07:20:38","slug":"vasiliki-lalioti","status":"publish","type":"post","link":"https:\/\/ethnolab.music.uoa.gr\/en\/vasiliki-lalioti\/","title":{"rendered":"Vasiliki Lalioti"},"content":{"rendered":"<p>Vasiliki Lalioti is associate professor of anthropology of performance in the Department of Music Studies, at the National and Kapodistrian University of Athens. Her recent research interests and publications include issues related to the performing arts (contemporary popular music, theatre, performance art) and digital technologies, the relationship between nature and culture, posthumanism, and the ontological turn in anthropology.<\/p>\n<p>Indicative recent publications:<br \/>\nBooks (in Greek)<br \/>\n2022. (ed.). Digital technologies and arts. Athens: Ropi (Under publication).<br \/>\n2016. \u2018The soundtrack of our lives\u2019. Contemporary issues in the study of popular music. Athens: Papazisis.<\/p>\n<p>Papers in peer-reviewed journals<br \/>\n2022. \u00abPerformance, music, and time: Some thoughts on digital \u2018liveness\u2019\u00bb. Automaton: Journal of Digital Media and Culture, 1(2), 35\u201357. https:\/\/doi.org\/10.12681\/automaton.29877 (in Greek)<br \/>\n2020. \u201cPerformance as shared mindfulness\u201d. The Journal of Performance and Mindfulness, 2(2). doi: https:\/\/doi.org\/10.5920\/pam.683 (in English)<br \/>\n2018. \u00abDigital performance and poshumanist anthropology\u00bb. The Greek Review of Social Research, 150, 37-76. doi: http:\/\/dx.doi.org\/10.12681\/grsr.17954 (in Greek)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Associate Professor <\/p>\n","protected":false},"author":1,"featured_media":2571,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[39],"tags":[],"class_list":["post-2609","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-faculty"],"acf":[],"_links":{"self":[{"href":"https:\/\/ethnolab.music.uoa.gr\/en\/wp-json\/wp\/v2\/posts\/2609","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ethnolab.music.uoa.gr\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ethnolab.music.uoa.gr\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ethnolab.music.uoa.gr\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ethnolab.music.uoa.gr\/en\/wp-json\/wp\/v2\/comments?post=2609"}],"version-history":[{"count":1,"href":"https:\/\/ethnolab.music.uoa.gr\/en\/wp-json\/wp\/v2\/posts\/2609\/revisions"}],"predecessor-version":[{"id":2984,"href":"https:\/\/ethnolab.music.uoa.gr\/en\/wp-json\/wp\/v2\/posts\/2609\/revisions\/2984"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ethnolab.music.uoa.gr\/en\/wp-json\/wp\/v2\/media\/2571"}],"wp:attachment":[{"href":"https:\/\/ethnolab.music.uoa.gr\/en\/wp-json\/wp\/v2\/media?parent=2609"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ethnolab.music.uoa.gr\/en\/wp-json\/wp\/v2\/categories?post=2609"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ethnolab.music.uoa.gr\/en\/wp-json\/wp\/v2\/tags?post=2609"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}